Studios

Recording & production
studio design

Recording-studio acoustic design and audio system integration in London. Specialist consultancy for professional recording, mixing and production environments, resolved from the first drawing.

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The discipline

Two disciplines, one unified brief

A recording studio demands two equally rigorous disciplines: the acoustic treatment of the room, and the specification of monitoring, signal chain and infrastructure. We resolve both together, from material assessment and treatment to reverberation control, low frequency behaviour, measurement and commissioning. Where a project needs specialist isolation engineering or statutory acoustic reporting, we work alongside a qualified acoustic consultant. The same architectural rigour runs through our residential audio design and broader acoustic consultancy work.

01

Room acoustics

Isolation, absorption, diffusion and low-frequency control, designed into the room rather than added after the build. The structure, geometry and treatment work as one.

02

Monitoring & systems

Monitoring accuracy, signal chain integrity and operational infrastructure, specified around the room geometry and the way you actually work.

What we work on

Spaces built around accurate sound

· New-build studios· Studio conversions· Control rooms· Live rooms· Vocal & isolation booths· Mix rooms· Mastering suites· Podcast & broadcast
How we work

From measurement to a calibrated room

The room and the system are resolved together, from the first measurement to the final on-site calibration.

Analysis

Measured, not assumed

We begin with measurement: room geometry, isolation requirements and the acoustic behaviour of the existing or proposed structure, so every decision that follows is grounded in data.

Treatment

Acoustics built into the room

Isolation, absorption, diffusion and low-frequency control are specified and coordinated with the build, not bolted on once the room is finished.

Monitoring

A system matched to the room

Monitoring is specified around the room geometry, the treatment strategy and the way you work, so the loudspeaker and the space perform as one.

Commissioning

Tuned on site, handed over

Measurement-based calibration under real operating conditions, handed over as a reference environment you can trust.

The principle
An accurate room is not a luxury. It is the instrument every other decision is measured against.
Featured project

BSR Recording Studios

A purpose-built recording and production facility in Chiswick, where acoustic treatment and monitoring were resolved as one brief.

BSR Recording Studios acoustic design, Chiswick London, Sonic Design Studios

BSR Recording Studios

Chiswick, London

View project
Sonic Design Studios

Studio-grade rigour, from concept to commissioning

We treat the acoustic design of the room and the specification of the monitoring system as a single unified brief, calibrated together to deliver an accurate, reliable monitoring environment.

Not an equipment shop, and not a conventional AV installer. We work as an audio design partner, resolving the acoustics and the system together rather than as a late-stage technical package.

Recording studio design, London

Planning a recording or production space?

Talk to us about the acoustics and the monitoring system together, from new-build studios to conversions and upgrades.

Studio brief

Before the room is built

We need to understand the room geometry, construction, intended use, monitoring requirements and the way artists or engineers will work in the space. Plans, sections and finishes are particularly useful because speaker placement, listening position, treatment and infrastructure all interact.

Yes. We assess the room’s geometry, existing finishes, background noise, monitoring position and practical constraints, then establish what can realistically be improved. The strategy may involve treatment, layout changes, monitoring changes or a combination rather than rebuilding the room from first principles.

They are inseparable. The monitoring system and listening position determine how the room is excited, while reflections and decay affect what the engineer hears. At the same time, the layout has to support the actual production workflow rather than forcing the user into an acoustically convenient but impractical arrangement.

Where included in the brief, yes. We can consider the monitoring system, placement, amplification and integration alongside the room’s acoustic behaviour so the two are designed as one listening environment rather than separate packages.

We coordinate the audio and room requirements with the architect, M&E team and other specialists. Where structural isolation, building-acoustic performance or formal testing is required, the relevant specialist acoustic or engineering consultant is brought into the design rather than those services being implied within the audio scope.

Depending on scope, commissioning includes final speaker setup, DSP alignment, equalisation and verification of the completed listening environment. Project documentation and operating information are handed over in the form agreed for the commission.

SONIC DESIGN STUDIOS

The Designer's Guide to Cognitive Load

Designing for Neurological Comfort
and Human Performance.

Thought leadership

Design for the
brain, not the meter

Our manifesto on designing for neurological comfort.
Why technically compliant rooms still fatigue their occupants,
and how the Cognitive Load Index informs the design response.

Introducing the Cognitive Load Index (CLI),
a framework for assessing how hard a room asks people to work,
not just what the equipment records.